2018-19 Guide To Yellow Springs

68 the Guide to YelLow Springs y 2018 - 1 9 Y e l l ow S p r i n g s N ews mation compiled on Fisher, the arc of his early career only became apparent after interviews with two family members and six musicians who worked with him in the 1950s, and searching old Yellow Springs News accounts. Born in Tennessee in 1933, Fisher grew up just down the road from Yellow Springs in Goes Station. After a decorated stint in the Marines, Fisher moved in with his parents, who had moved to Yellow Springs. While 502 Livermore St. is well known today as the Yellow Springs Dharma Center, it was once a residence, and, in 1955, it was the home of the Fisher family. Mrs. Fisher worked as a maid at Antioch College cleaning dorm rooms and Mr. Fisher ran a taxi business out of his home. While Fisher made a living driving a taxicab in town, music was his passion. “Music was what [Fisher] wanted to do, and that’s all he wanted to do,” said Yellow Springs guitarist Eddy Campbell in a 2016 phone interview. “Talk about a man who knew his music. He’d wake up singing.” Even as a boy, Fisher loved music. As kids, “him and I and two cousins had a quartet, playing bluegrass gospel,” said brother Jack Fisher in a 2016 phone interview from Tennessee. Music ran in his family, as Fisher’s father, Rufus, was a gifted bluegrass gospel singer and amateur songwriter, according to Fisher’s son, Kevin Fisher, in a phone interview from Xenia. Brien Fisher “was talented and ambi- tious,” according to Jack Fisher. Soon after moving to Yellow Springs in 1955, Brien Fisher began to put both his talent and ambition to work. In early 1957, Fisher co-founded Span- gle Records. Over the next two years, the Springfield, Ohio-based label produced 16 records of country and rock ’n’ roll. Brien Fisher wrote or co-wrote over half of Spangle’s songs, with his best being Rocky Rose’s stirring “Midnight Sun.” Because it lacked national distribution, Spangle had a clever business plan of recording original songs with unknown young singers and then selling the master recordings to bigger labels. “Back then, you could cut an artist [in Nashville] for not very much and take it to New York City and sell it for a couple thousand,” said famed Nashville session pianist Pig Robbins in a 2017 phone inter- view from Tennessee. At age 19 in 1957, Robbins’ very first recording session ever A famous musician with ties to the village is rock ‘n’ roll and country musician and producer Brien Fisher, here photographed with a Gibson CF-100 acoustic guitar sometime in the 1950s. Fisher was living on Livermore Street when he appeared on American Bandstand in 1957, and went on to become a successful Nashville producer. Fisher's 1957 hit single, “Fingertips,” was released by his own label, Spangle Records, based in Springfield. y  Tales of a forgotten music star y was a Spangle song Fisher co-wrote for the Sprouts, “Teen Billy Baby.” In 1957 and 1958, Fisher recorded four records with Spangle. In September 1957, he appeared on American Bandstand, the biggest rock ’n’ roll show in the country. On national TV, he lip-synced his second single, the teenybopper rocker “Finger- tips” — “Fingertips, your fingertips, the slightest touch makes my heart flip.” Spangle successfully sold his third single, “Double Dating,” to a bigger label. Another teenybopper rocker, it offered the sage advice that “drive-in movies, dancing, skating [are] twice the fun when you’re double dating.” Despite some radio airplay, none of his three solo records charted nationally. “Brien knew he didn’t have a great sing- ing voice,” said Eddy Campbell, “but, boy, could he sing harmony.” Indeed, singing harmony as one-half of the harmony duo the Couplings on their modest 1958 hit, “Young Dove’s Calling,” gave Fisher his biggest chart success as a singer. Two musicians who worked with him in the late 1950s each told stories of Fisher either driving drunk or speeding. This penchant for reckless driving eventually ended the first part of his music career and likely contributed to him leaving Yellow Springs. Shortly before midnight on a Saturday night in January 1959, Fisher was behind the wheel of his sleek Studebaker Golden Hawk driving a musician friend and two young women. Fisher was headed south on Xenia Avenue near where the library now stands, when he drove into an Antioch College freshman on her bicycle, according to a News article at the time. The bruised and cut Antioch student needed about 30 stitches in her face and neck, according to the News. Fisher and his friend left their two female compan- ions at the scene and fled the state. Later that week, police captured Fisher and his friend in Virginia, and he was sen- tenced to six months in jail. Soon after he got out of jail, Fisher had the biggest hit of his early career. Co- written well before the hit-and-run, Betty Foley’s rockabilly jaunt “Old Moon” hit the country Top 10 chart in August 1959 and became one of the most played country radio songs that year. With its success, Fisher left Yellow Springs for good, moving to Chicago with his wife and infant son, according to interviews with his longtime friend, the late Illinois songwriter Bernie “Hoot” Harville Jr. There, Fisher built his own recording studio and slowly learned the craft of record production. In the end, it took Fisher almost 20 years of dogged persistence before he had another hit. Then, beginning in 1977 with his Grammy Award-winning No. 1 hit for the Kendalls “Heaven’s Just a Sin Away,” he went on to produce 20 Top 10 country hits. Producing other country stars like Vern Gosdin and Bobby Bare, Fisher’s productions sold millions of records. Fisher died of prostate cancer near Nashville in 2016, leaving a lasting legacy of music. His best 1950s songs, “Midnight Sun” and “Old Moon,” still resonate, while “Heaven’s Just a Sin Away” remains a country radio staple. After six decades in the music business, it’s easy to see that Fisher did exactly what he was born to do: make music. 1 • photo courtesy of Kevin Fisher By Chris Till Of the famous musicians to live in Yellow Springs, Brien Fisher is probably the most successful, but least known. While living in Yellow Springs in the late 1950s, Fisher had a remarkable creative run. He co-founded a success- ful record label. As a singer, he released four singles, including a minor hit, and appeared on American Bandstand in 1957. After he left town following a tragic crime, Fisher became an A-list Nashville record producer with more than 20 Top 10 country hits. 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