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Visual Arts Section :: Page 13
For more than 50 years until his death, a photographer of international stature lived and worked in Yellow Springs. The work of that photographer, Axel Bahnsen, will be honored this weekend with the publication of a new book of his photographs.
A well-attended exhibit of original art created by artists inspired by the Glen kicked off the Glen’s weekend celebration of its 50th anniversary on Friday evening.
The building on Dayton Street looks like an unassuming garage, set well back from the street. Look closely, though, and you might notice the tables and shelves inside. This is in fact an artist’s studio, converted from a garage to a work space by local sculptor Alice Robrish.
At his booth at the June Street Fair, Michel Zurbuchen sets out two benches with a stone at each, plus tools and safety glasses, and encourages all who are interested to try carving for themselves. People who had never considered taking a hammer and chisel to rock find they don’t want to stop.
Antioch College’s Herndon Gallery features a retrospective of Robert Whitmore’s oils and works on papers, with an emphasis on local landscapes.
Copies of this and other photographs may be purchased from the News; please contact us via e-mail at firstname.lastname@example.org, or by phone, between 9:30 a.m. and 5: 30 p.m., Mon.–Fri.
Most art is meant to be viewed by the public, but not all art takes up permanent residence in the public sphere in the way the three pieces that won the village’s first public sculpture contest are about to do. But come Street Fair time in early October, three public spaces in the village will display Beth Holyoke’s three-dimensional yellow mosaic of the word “springs,” Olga Ziemska’s sculpture of the hands of villagers cast in white in the image of a bird in flight, and Migiwa Orimo’s old-style telephone booth that beckons villagers to come inside and create their own experimental artworks.
Massive logs lay outside the artist’s workspace, quietly waiting their turn to be carved, chiseled, shaped, shaved, sanded, planed and polished into a gallery of finely finished forms. The logs were recently recovered from a fallen Catalpa tree on the grounds of the Westcott House in Springfield, a unique example of the prairie-style architecture made famous by Frank Lloyd Wright.
An artist’s inspiration can come from anywhere — the angelic face of a sleeping child, a vibrant color from a neighbor’s garden, or perhaps the unique perspective of a somersaulting motorcyclist after connecting head-on with an oncoming car.
“I was doing a wedding once,” explained photographer Mary Kay Clark, as she prepared for an upcoming exhibit, “and I noticed in the chrome around the headlamp of a vintage Triumph car was the reflection of the church where the couple just got married.